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Babyface’s “Love Is a Crime” is a soulful, mid-tempo track that appears on the soundtrack for the 2002 film Chicago. Unlike his more traditional slow jams, this song leans into a more “cinematic” and “theatrical” style, reflecting the jazzy, vaudevillian world of the movie it supports. It’s a departure from his usual urban contemporary sound that showcases his versatility as a songwriter.
Lyrically, the song plays with the film’s themes of “crime, passion, and notoriety.” Babyface sings about the “dangers of falling in love” and how it can feel like a “criminal act” when the stakes are high. The metaphors of “handcuffs” and “being caught” are woven throughout the track, creating a narrative that fits perfectly within the Chicago universe.
The production is characterized by a “rich, brassy” arrangement that mimics the jazz-age aesthetic of the 1920s while maintaining a modern R&B pulse. The use of horns and a swinging rhythm gives the song a “playful yet sophisticated” edge. It’s a unique fusion of eras that highlights Babyface’s ability to adapt his style to different genres.
Vocally, Babyface adopts a more “expressive and rhythmic” delivery to match the jazzy instrumentation. He leans into the syncopation of the track, showing off a “soulful grit” that isn’t always present in his more ballad-heavy work. The backing vocals provide a “chorus-like” support that adds to the theatrical feel of the recording.
While “Love Is a Crime” may not be as widely known as his major radio hits, it is a “hidden gem” in his discography. It demonstrates his skill as a composer who can write for specific characters and stories while maintaining his own artistic identity. It’s a “stylish and evocative” track that remains a standout on a highly successful soundtrack.
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